Jean Martin

In 1960, he was a signatory of the Manifesto of the 121 entitled “Declaration on the right to insubordination in the Algerian war”. In 1965, a role marked his career, that of Colonel Mathieu, in a film retracing the struggle in 1957 for control of the Casbah district of Algiers between FLN militants and French soldiers: "The Battle of Algiers" . Three years after the end of the Algerian War, the subject is still sensitive on each side of the Mediterranean; the film was banned in France upon its release, then censored until 2004. Jean Martin, very convincing in this role of division commander (historically, the commander is General Massu, but the character is inspired by Colonel Bigeard), is the only professional actor in the film. His large stature, his strong personality and his imperious face predispose him to notable roles generally showing authority: chief doctor, police commissioner, high-ranking military officer, ecclesiastical dignitary...; one of the most impressive will undoubtedly be that of a doctor vehemently expelling from his hospital a judge Fayard, Patrick Dewaere, a bit of a cavalier in "Le Juge Fayard Dit Le Shérif" (1976). Claude Zidi mocks these roles in his comedies: principal in “La moutarde monte au nose” (1974), bank director in “La Course À L'Échalote” (1975), chief doctor in “L'aile ou la thigh” (1976), principal inspector in “Bête mais disciplined” (1979) and examiner in “Inspecteur la Bavure” (1980). Alongside Jean-Paul Belmondo, he is… cardinal in “L’Hériter” (1972) and… divisional commissioner in “Peur Sur La ville” (1975)! But also alongside Terence Hill in “My Name is Nobody” (1973) in the role of Sullivan, or “One Genius, Two Associates, One Bell (1975).

After devoting a large part of his career to the theater, appearing in around fifty films, Jean Martin died on February 2, 2009, in Paris.